Saturday, March 24, 2018

Art: First batch of acrylic pour paintings finished


The first batch of paintings we made have sufficiently dried down enough to get clear coated! It can take awhile for all the paint and liquid on the canvas to fully settle down and solidify, so we let them rest after being made for at least 24 hours, if not longer when possible. Once we felt confident that they were sufficiently solid we took them outside and gave them generous coats of glossy top coat to protect the paints so the paintings will hold up over time. In person they look absolutely fantastic! The clear coat gives added luminousity and lustre to the colors underneath, making them bright and pearlescent... of course, this makes it harder to photograph them because the same gloss that makes them so lovely to look at refracts the light with a fervor that the lens eats up. Flash drowns it out, and the lighting in our studio tends to cast shadows... trying to capture these photos was a tightrope dance of trying to balance reflective shine against shadow. I don't think I completely nailed it, so the actual shop product photos for when these go live will likely be done differently. To be fair, I did this on my own, and Antho is really the skilled light-tech in the relationship. I can point and snap photos but his years working in his high school theater as a technician really helped him learn lighting in technical ways I'm not yet proficient in. I make do with what I've got, though, and tutorials and things have been of exceptionally great use. I swear, there's a youtube tutorial for everything!    


I didn't consider the paintings full complete until after they've dried and been coated, as I wouldn't consider them sellable prior to that. The paints can settle and new aspects revealed, too, during the drying process so there's still more to discover after you've set the painting down post-pour. I have to say that I think these turned out pretty darn nice for being our very first try at this technique. Responses on Instagram have been positive, too, so we're excited to be delving deeper into this! Similar to tie-dye, they always come out so completely different. We used the same 8-10 colors for all of these paintings but the ratios and spread made each painting completely it's own. Pretty groovy. They also react pretty well to changing light colors, as Antho cycled our light through the color spectrum and each shade would make different portions pop out at us. 
Pretty groovy, man.


More photos below!






 

















Until next time!

💙
XOXO,
NAU

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